
It’s easy to understand why the Victorians were shocked and regarded them as pornographic. Though less easy to see why Patricia Cornwall should have concluded a few years ago that they must be the work of a serial killer.
The Jack-The-Ripper factor probably explains the surprisingly large number of National Trust / Middle-England types at the exhibition. I can’t help wondering what their reactions would be if they were looking at the work of a contemporary photographer with the same bohemian fascination for the seedier side of life …
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